Power In A Song

by Margaret Walters

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1.
Windsong 04:03
From Loch to Nyora where men lay the rail Oh, the wind and the rain, The ridges and the valleys re-echo and wail, To the blustery shout of the Mutton Bird gale Oh, we are the wind, We are the wild wind, Who dares to stand in our way? It sings in the towering gear of the mines, Oh, the wind and the rain, As ragged cloud fingers blot out the sunshine, We rush for the washing that flaps on the line, Oh, we are the wind, We are the wild wind, Who dares to stand in our way? Helpless the magpies and crows hurtle by, Oh, the wind and the rain, The children run wild with a blaze in their eye, Spinning and shrieking and ready to fly, Oh, we are the wind, We are the wild wind, Who dares to stand in our way? Down in the darkness, our men hew the seam Oh, the wind and the rain, Where sullen coal glints in the carbide lamp’s gleam, Their souls thirst for light and the sky is a dream Oh, we are the wind, We are the wild wind, Who dares to stand in our way? Windsong are we in the high pit shaft wheel, Oh, the wind and the rain, The gale of our loving will comfort and heal, And we’ll stand in their picket line, hearts hard as steel, Oh, we are the wind, We are the wild wind, Who dares to stand in our way? United we’ll thwart the mine owner’s designs, Oh, the wind and the rain, A new generation will spring from these mines, As tough as the ryegrass along the fencelines Oh, we are the wind, We are the wild wind, Who dares to stand in our way? Oh, we are the wind, We are the wild wind, Who dares to stand in our way?
2.
The trees they do grow high And the leaves they do grow green Many’s the time love, you and I have seen It’s a cold winter’s night that we must bide alone Oh the bonny boy is young, but he’s growing, growing, Oh the bonny boy is young, but he’s growing Oh father, dear father, you have done to me great wrong You’ve married me to a boy who is too young Then daughter, dearest daughter, stay at home with me And a lady you shall be while he’s growing, growing And a lady you shall be while he’s growing We’ll send him to college for about a year or so Perhaps in that time into manhood he will grow And you’ll find white ribbons for to tie round his bonny waist Just to let the ladies know that he’s married, married Just to let the ladies know that he’s married As I was a-looking o’er my father’s castle wall There I spied them pretty birds playing at the ball And my true love, he’s the flower among them all Oh the bonny boy is young, but he’s growing, growing Oh the bonny boy is young, but he’s growing At the age of 16 he was a married man At the age of 17 he was the father of a son At the age of 18, his grave was a-growing green Cruel death had put an end to his growing, growing Cruel death had put an end to his growing I’ll make my love a shirt of the holland oh so fine At every needle stitch in it, the tears come trickling down And I will mourn my love until the day I die And I’ll watch o’er his child while he’s growing, growing And I’ll watch o’er his child while he’s growing
3.
Sometimes when the screaming just goes on, I wonder why I work here. When a teething baby will not be consoled, Does caring cost us too dear? When a child is crying so are several more, And helplessness abrades the spirit raw. But today I saw Llewellyn walking, A frown of concentration on his face, On new and shaky muscles Llewellyn rose to stand, Leaned into his first bold step, refused the proffered hand, There should have been a peal of bells, should have been a band, Today I saw Llewellyn walking, Llewellyn walking. I’ve seen Llewellyn watching others play, I’ve seen his calculation, Wondering just what it is they do, I’ve heard his cruel frustration. Why should a driven hero have to crawl, Or stagger leaning on a table or a wall, But today I saw Llewellyn walking, That struggle won so many times before, He tottered seeking balance from the shadow to the sun, As Nolan, Phoebe, Rachel, Jake and Natalie had done, With fiery passion in his eyes, driving him to run, Today I saw Llewellyn walking, Llewellyn Walking. There can be no current market price, On what was done today. This victory of patience, care and love, On a humble labourer’s pay, This lifts the carer’s life above the stress, The smell of nappies, disinfectant and the mess. Today we saw Llewellyn walking, Tomorrow Nina, Emily and Sam, They’ll feel their muscles harden as they cling to chair and wall, Light up with excitement as they stretch out strong and tall, And we’ll be there behind to hug their courage if they fall, Today we saw Llewellyn walking, Llewellyn walking.
4.
An hour before the sun goes down behind the ragged boughs I go across the little run to bring the dusty cows And once I used to sit and rest beneath the fading dome For there was one that I loved best who’d bring the cattle home Our yard is fixed with double bails; round one the grass is green The Bush is growing through the rails, the spike is rusted in; It was from there his freckled face would turn and smile at me For he’d milk seven in a race while I was milking three He kissed me twice and once again, and rode across the hill The pint-pots and the hobble-chain, I hear them jingling still About the hut the sunlight fails, the fire shines through the cracks I climb the broken stockyard rails and watch the bridle-tracks And he is coming back again – he wrote from Evatt’s Rock A flood was in the Darling then and foot-rot in the flock The sheep were falling thick and fast, a hundred miles from town And when he reached the line, at last, he trucked the remnant down And so he’ll have to stand the cost: his luck was always bad Instead of making more, he lost the money that he had And how he’ll manage, Heaven knows (My eyes are getting dim) He says – he says – he don’t suppose I’ll want to marry him. As if I wouldn’t take his hand without a golden glove Oh Jack, you men won’t understand how much a girl can love I long to see his face once more – Jack’s dog! thank God – it’s Jack (I never thought I’d faint before) he’s coming up the track.
5.
Come all you young Australians and everyone besides I’ll sing to you a ditty that will fill you with surprise Concerning of a ‘ranger bold whose name it was Ben Hall Who cruelly murdered was this day which proved his downfall An outcast from society, he was forced to take the road All through his false and treacherous wife who sold off his abode He was hunted like a native dog from bush to hill and dale Till he turned upon his enemies and they could not find his trail All out with his companions men’s blood he scorned to shed He ofttimes stayed their lifted hands with vengeance on their head No petty mean or pilfering act he ever stooped to do But robbed the rich and hearty man and scorned to rob the poor One night as he in ambush lay all on the Lachlan Plain When thinking everything secure to ease himself had lain When to his consternation and to his great surprise And without a moment’s warning a bullet past him flies And it was quickly followed by a volley sharp and loud With twelve revolving rifles all pointed at his head Where are you Gilbert, where is Dunn? he loudly did call It was all in vain, they were not there to witness his downfall They riddled all his body as if they were afraid But in his dying moments he breathed curses on their heads Till cowardly hearted Condel, the sergeant of police Crept up and fired with fiendish glee till death did him release Although he had a lion’s heart, more braver than the brave Those cowards shot him like a dog, no word of challenge gave Though many friends had poor Ben Hall, his enemies were few Like the emblems of his native land, his days were numbered too It’s through Australia’s sunny clime Ben Hall will roam no more His fame is spread both near and far to every distant shore And generations after this parents will to their children call And rehearse to them the daring deeds committed by Ben Hall
6.
Last winter was a hard one, Mrs Riley, did you hear ‘Tis well yourself that knows it, ’tis for many’s the year Your husband wasn’t the only one sat behind a wall My old man, McGuinness, couldn’t get a job at all CHORUS So rise up, Mrs Riley, don’t give away to blues You and I will cut a shine, new bonnets and new shoes Hear the young ones cry – neither sigh nor sob We’ll wait till times get better and McGuinness gets a job The politicians promise them work on the boulevard To work with a pick and shovel and load dirt on a cart Six months ago, they promised it, work they’d surely get But oh, my good woman, they’re promising it yet So rise up, Mrs Riley, don’t give away to blues You and I will cut a shine, new bonnets and new shoes Hear the young ones cry – neither sigh nor sob We’ll wait till times get better and McGuinness gets a job Bad luck to those Italians, I’d wish they’d stayed at home We’ve plenty of our own trash to eat up all our own They come like bees in the summertime, they swarm in here to stay And contractors, they hired them for 40 cents a day They work upon the railroad, they shovel snow and slush One thing in their favour, Italians never get lush They bring their money home at night, drink no dinner wine One thing I would like to say for your old man and mine! So rise up, Mrs Riley, don’t give away to blues You and I will cut a shine, new bonnets and new shoes Hear the young ones cry – neither sigh nor sob We’ll wait till times get better and McGuinness gets a job Springtime is coming and work they’ll surely get McGuinness will go back to his job again, he makes a handsome sight See him climb the ladder as nimble as a fox For he’s the one to handle the old three-cornered box So rise up, Mrs Riley, don’t give away to blues You and I will cut a shine, new bonnets and new shoes Hear the young ones cry – neither sigh nor sob We’ll wait till times get better and McGuinness gets a job So rise up, Mrs Riley, don’t give away to blues You and I will cut a shine, new bonnets and new shoes Hear the young ones cry – neither sigh nor sob We’ll wait till times get better and McGuinness gets a job
7.
Largo 03:33
Early the day, this new sun lifting Sheds its light on my tree Lighting the young leaves to a shade of green A gift to the new-born day In the shadows, olive-green brooding Darker tones, minor chords Lending their dignity to the major key Harmony of light upon my tree Rich is the world Colours fill my senses Birds and small children sing Gilding the air So these words, to you, my friend For your voice, and your touch That concentration of power in your song That makes my vision new And makes my morning fair
8.
Faraway Tom 03:30
When the calendar brings in the cuckoo And the summer comes following on Through the thin mists of day, see him running away And they know him as Faraway Tom The earth is his bed and his pillow And his sheets are the clothes he has on He sleeps all afternoon, then he’s hunting the moon Til it rises for Faraway Tom He sees the fox leaving his hollow And he knows where the badger is gone And he watches the fawn from the sheltering thorn But they don’t see old Faraway Tom He knows nothing of letters and learning And of manners and such he has none And he numbers the seasons on his fingers and toes As they pass over Faraway Tom But what of the seasons to follow Will cold and strong winds bring him down And where will he lie when the snows fill the sky And age tells on Faraway Tom When the calendar brings in the cuckoo And the summer comes following on Through the thin mists of day, see him running away And they know him as Faraway Tom
9.
Old Hammerhead weeps when the wind blows Old Hammerhead cried in vain High above the houses, the last Wear water crane And we heard his cries for help And we denied him in our shame As we huddled in the darkness of his shadow Who will come and help me? Old Hammerhead cried in vain I’ve watched and I’ve protected you Will no one do the same I’ve kept you from starvation, deprivations burning shame And you’ve flourished in the comfort of my shadow I’ve watched these streets surround me Old Hammerhead cried in vain The swarms of tiny children gathered round me in their games And I watched them turn from playgrounds Into windy lovers’ lanes As they fondled and kissed there in my shadow You always told me I’d be needed Old Hammerhead cried in vain I stood by in hundreds as you fought in freedom’s name And better ships no other yard could ever hope to claim Than them that slipped to the river in my shadow Now I’m all alone here Old Hammerhead cried in vain You say my use is over and that progress is to blame And the pride of these yards you say will never rise again And no saviour to step out from my shadow They’re coming for to take me now Old Hammerhead cried in vain With savage blade and cutting tool of fearsome burning flame They’ll cast lots for my engine and divide my rusty frame And they won’t even leave me with my shadow
10.
Maria's Gone 03:24
Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone And it’s early in the morning Oh she’s gone and I can’t go Oh she’s gone and I can’t go Oh she’s gone and I can’t go And it’s early in the morning Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone And it’s early in the morning Never did I know her mind Never did I know her mind Never did I know her mind And it’s early in the morning Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone And it’s early in the morning Trouble, trouble is my name Trouble, trouble is my name Trouble, trouble is my name And it’s early in the morning Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone Mornin’s come and Maria’s gone And it’s early in the morning
11.
Come all you gallant poaching lads that ramble free of care That roam out on a winter’s night with your guns, your dog & snare The hare and lofty pheasant you have at your command Not thinking on your last career upon Van Diemen’s Land Poor Tommy Brown from Nenagh town, Jack Murphy and poor Jo We were three gallant poaching lads as the gentry well does know One night we were trepanned by the keepers hid in the sand Who for fourteen years transported us unto Van Diemen’s Land The first day that we landed upon that fateful shore The settlers gathered round us full 20 score or more They ranked us up like horses and they sold us out of hand And they yoked us to the ploughing frames to plough Van Diemen’s Land The hovels that we’re in are made of mud and clay With rotten straw for bedding and to that we daren’t say nay They fence us in with raging fire and we slumber as we can But it keeps away wild animals upon Van Diemen’s Land There was a girl from Newport, Susan Summers was her name And she had been transported for playing of the game But she took our captain’s fancy and he married her out of hand And she gives us all good usage upon Van Diemen’s Land It’s often when in slumber I have had a pleasant dream With my sweetheart I am sitting down beside a crystal stream Through Ireland I’ve gone roving with my sweetheart by the hand Then I wake up broken hearted upon Van Diemen’s Land So come all you gallant poaching lads a warning take by me I’ll have you quit night walking and avoid bad company Throw away your guns and snares, for let me tell you plain If you knew of our misfortune you would never poach again
12.
Born in the highland snows, Wild in her youth’s descending, Swiftly she fills and grows Out on her floodplains, winding and bending, Feeding the towering gums, Bush in creek and gully, Sharing her bounties wide, Spreading soil in plain and valley. Murrumbidgee fair, Murrumbidgee fertile, Nurturing at your breasts we who walk here for a little while. High on a ridge we stand, gazing in love and awe Over the lands you made with your gentle hands: how rich the gifts you pour. Over her years of floods, Current twisting wild and strong, Children she made in the land, Creek and anabranch, pond and billabong. Bright on the wide floodplain Glints the rippling water, Proudly side by side, Flow the mother and the daughter. Murrumbidgee fair, Murrumbidgee fertile, Nurturing at your breasts we who walk here for a little while. High on a ridge we stand, gazing in love and awe Over the lands you made with your gentle hands: how rich the gifts you pour. We have known the drought, we have seen her anger, Hurling trees in her rage, we’ve borne thirst and we’ve borne hunger. Yet for us who seek, beauty waits in hiding, In some shaded pools wait the fruits of her providing. Silver mist like hair, As the day is dawning, Marks the river’s way As we hunt on a winter’s morning, Duck and cod from the stream, Fruit and fungus, plant and seed, Kangaroo on the plain, See, she gives us all we need. Murrumbidgee fair, Murrumbidgee fertile, Nurturing at your breasts we who walk here for a little while. High on a ridge we stand, gazing in love and awe Over the lands you made with your gentle hands: how rich the gifts you pour.
13.
As I sat out upon a hill Upon a hill, upon a hill I looked up at the crows that fill The leafy trees of Wagga I saw their eyes like marbles black Like marbles black, like marbles black And felt a chill run down my back Beneath the trees of Wagga A woman there had told a tale She told a tale, she told a tale How the town had felt five years’ betrayal Since crows returned to Wagga “Our men have heard the crows’ sad song The crows’ sad song, the crows’ sad song Until by their own hand they’ve gone I curse the crows of Wagga Farmers are a steady lot, not given much to fancy Born to heed the call to be as iron tough as Clancy Now they hang themselves in their dark loss In their dark loss, in their dark loss When the crows’ stark song becomes their cross Among the trees of Wagga Black-eyed and beaky with a mourning cry A mourning cry, a mourning cry Riverina crows trespass and fly To cast their eye on Wagga. Now’s the time to break the spell To break the spell, to break the spell To greet the future and farewell Among the trees of Wagga I go inside to write my song To write my song, to write my song The crows know naught of right and wrong In the leafy the trees of Wagga
14.
Joe Hill 03:26
My will is easy to decide For there is nothing to divide My kin don’t need to fuss and moan Moss does not grow on a rolling stone My body, oh, if I could choose, I would to ashes it reduce And let the merry breezes blow My dust to where some flowers grow Perhaps some fading flower then Would come to life and bloom again This is my last and final will. Good luck to all of you, Joe Hill I dreamed I saw Joe Hill last night, alive as you or me I said “But Joe, you’re ten years dead”, “I never died” said he “I never died” said he “In Salt Lake, Joe, by God”, says I, him standing by my bed “They framed you on a murder charge” Says Joe, “But I ain’t dead” Says Joe, “But I ain’t dead” The copper bosses killed you, Joe, they shot you, Joe, says I Takes more than guns to kill a man Says Joe, “I didn’t die” Says Joe, “I didn’t die” And standing there as big as life and smiling with his eye Says Joe “What they could never kill Went on to organise, Went on to organise” “Joe Hill ain’t dead”, he says to me, “Joe Hill ain’t never died Where workers strike and organise Joe Hill is at their side Joe Hill is at their side” “From Santiago up to Maine, in every mine and mill Where working folk fight for their rights It’s there you’ll find Joe Hill, It’s there you’ll find Joe Hill I dreamed I saw Joe Hill last night, alive as you or me I said “But Joe, you’re ten years dead”, “I never died” said he “I never died” said he

about

"The power of words and music - to lift the spirit, to unify the powerless in causes, to make and change relationships, and to tell the story of our eternal struggle with ourselves and our environment - is a vital resource in humanity's survival."

Most of the songs on this album were learned orally over 10, even 20 years ago! When I came to consider inctuding the words witlh the CD, I was dismayed to find how many of the songs have been "folk processed" with nor only words but the tunes altered inadvertently from the "originals".

I tried to revert to the authentic version but found I couldn't sing the songs with the same conviction so I hope the authors will forgive me for making the songs my own in a sense. Please contact me if you have any queries about the songs.

Special thanks to Kim for his generosity and meticulous skill; to Stephanie Osfield for her unstinting support throughout the project; to
Nancy Kerr and James Fagan and for their superb musicianship, valued friendship and advice: to all the musicians and others involved in the production; to Paul Jackson for his bounteous contribution: and to many, many people in the Australian and English folk scene for their inspiration and friendship.

Dedicated to Benjamin and Michael Walters and to John Warner for his confidence and for his matchless songwriting

credits

released July 1, 2001

Instrumentalists: Lara Biernoff, James Fagan, Ruth Hart, Nancy Kerr, Stephanie Osfield, Kim Poole, Michael Spencer and John Warner.
Musical Direction: Kim Poole
Producer: Margaret Walters
Sound Engineers: Robin Janus (2001) and Mitchell Hart (2002-3)
Mixing: Mitchell Hart

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Margaret Walters Sydney, Australia

Rock solid, Margaret's voice is right where it needs to be, whether delivering a clarion call for social justice, a tender lullaby, a lively or poignant folk tale, an uplifting hymn to Mother Earth, a rousing work song of the yardarm or an up-yours from a feisty lass. Margaret usually sings unaccompanied, favouring the folk tradition and some select contemporary writers. ... more

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